I'm so excited to be in my first real art show this Saturday! I'll have five of my mixed media paintings on display as I got accepted as a Spotlighted Artist. If I do well, I might try for a full table next year! Fingers crossed! If you're in the area, be sure to pop in and take a look; I know I would love the support, and I'm sure the other local artists would too. The event is the same weekend as the Rome International Film Festival, which I've been told is a huge deal around here, so I'm hoping for a big turnout at the Artist Expo because of it. I really have no idea what to expect, but I'll do a full write up about my experiences next week!
Just like last year, I was unable to complete Inktober. This year I made it all the way to day 18 though! That's 5 more days than last year! I'll take pride in that I suppose! I am a bit disappointed in myself, but I also know how Fangcon knocked it out of me. I had planned on using some of the inks from my Fangcon badges for those days, and then starting back with actual Inktober pieces after the con. But I was so wiped, and so excited about getting started on my take home commissions that I just couldn't focus on Inktober pieces. Oh well!
Rather than beat myself up about it, I think I should focus on the positives that 18 days of Inktober gave me! In just that small number of drawings, I felt like my ability to digitally ink improved rapidly. Beforehand, inking digitally took me AGES. While I always loved how it looked in the end, it was so tedious and time consuming that it was my least favorite part of doing a piece. I was always so focused on trying to get my lines absolutely perfect, as if I was using vectors to do them. But Inktober made me realize that I'm not a computer, I'm not doing vectors, so why am I trying to emulate one? I have always love the idea of the hand of the artist and the little touches that only traditional media can bring to a piece of art, so it made absolutely no sense for me to continue trying to be so perfect with digital. Inktober gave me an opportunity to live a little and try out some new techniques that I hadn't been able to do before. It breathed a new life into my art, or at least my opinions of it.
After Inktober, I have no longer been dreading the inking stage. My process has sped up considerably, and since I am no longer concerned with looking like vectors, I feel like my art has more movement and life in it than before. The hand of the artist has returned!
Want to see my journey? You can see all of my completed Inktober pieces in this blog posts:
I am hoping that what I learned from Inktober will pass on to other aspects of my art: mainly my coloring and my fears of trying new things. I know I have already begun speeding up my coloring process, but I hope that the this whole "hand of the artist" trend will continue to grow. I have always wanted my digital work to look more like my traditional media pieces, but I unfortunately allowed myself to stagnate once I figured out one method of drawing digitally. I never really realized how stagnant I had become until I did a digital Inktober this year! I am incredibly pleased with my decision to do it digitally and with the new knowledge, personal reflection, and growth I have been able to accomplish in such a short time. Even though I "failed" at completing Inktober, I still feel like I won.
Did you manage to complete the Inktober challenge? Or did you still come out a winner by learning something new during the experience?
What a lovely convention! I was honestly surprised how nice it was. I mean, I didn't really do anything except for work in the Dealer's Den and then go to Closing Ceremonies. Oops! But despite that, I had a wonderful time. This con was a breath of fresh air for me after only having gone to FWA for the past few years. FWA is so huge and seems to be mainly a "party con", whereas Fangcon reminded me of the first Megaplex I went to years ago: small and everyone was willing to talk to everyone. It really felt like being among a bunch of friends. I don't know if that is just a side effect of being a smaller con, or if it had to do with the different kind of people who attended this one. The crowd was a lot older than the crowd at FWA usually is; I think I only saw maybe three underage badges the entire con! Everyone was also so incredibly polite! Most people I meet at furcons are polite, but the people at this con were some of the most polite I had met at any con.
Now, unfortunately I didn't take a single picture at the convention. Boo.... But I did get to go to the Birmingham Zoo the day after the convention and took a ton of pictures there! A big thanks to the zoo and to Fangcon for the free tickets!
Some of my Favorite Badges from the Con
I have to thank everyone who commissioned me both at the con and for take-home work! You all are amazing people and so creative with your concepts and character designs. I'm going to be busy for awhile thanks to you all! Everyone who got a take-home commission has been contacted, so if you still haven't heard from me, email me ASAP!
Like I said, I am going to be busy for awhile with the take-home commissions! I also have an art show coming up that I need to do some paintings for! I've never done an actual art show before, nor have I sold my paintings, so I am super excited-nervous! It's going to be a busy next month for me! If you're in the Rome, GA area on November 11, come check out my art (and maybe buy something) at the Artist Expo!
Here is the process of designing this year's Halloween card! I'm also making my full-sized .psd files available for everyone! This one is a bit different from normal though, because I am using a template from moo.com where I got this year's cards printed (I recommend their business cards, high quality!). Normally, I work on much larger canvases, but this template is only 1263x1795px at 300 ppi.
Getting Ready to Draw
First, I created a nice work area for me by creating a folder for all of my art layers below the Artwork Guidelines folder. I decided I wanted to keep it all tidy that way! I also changed the template's "Your Design Here" layer to simply "White BG" and locked it. I normally create a background layer of white and draw anything else on a transparent layer above it, that way I can have a nice clean look, but I can also change the background if I want to later. Make sure you lock the background layer so you don't accidentally draw on it! I also hid the Artwork Guidelines layer as I didn't need them, collapsed the Artwork Guidelines folder, and locked it. I decided to leave the actually guides visible right now, though you don't have to if you don't want. If you don't have a lot of memory, you can merge or even delete these to help save space, but remember that you do need to have the proper bleed area in your design!
TIP: You can use any color as your background layer, or even a texture if you want something unique! If staring at a white screen hurts your eyes, try changing the background to a tan or light grey so there isn't such a contrast!
Doing the Art
This is pretty straightforward. Sketch your design, Ink, and Color! I started with a traditional sketch in my sketchbook, just because I got the urge to draw when I wasn't around my computer. Because my scanner isn't yet set up, I ended up just taking a photo of my sketch and uploading that to my computer. I then opened it up in Photoshop and copy/pasted it into my template, making sure it was in the Art folder.
To ink, simply lower the opacity of your sketch, create a new layer, then draw over your sketch with nice clean lines. For this design, I decided to try out some new brushes I've picked up over the last few months. I wanted a more grungy appearance than my usual super clean lines. During the inking stage, I also make any edits that I feel the design needs to make it look even better. Most of this was fixing the incredibly uneven right side! If you want to see the inks by themselves, I used them for my first Inktober drawing!
The next step is to do your flat colors. I like to create a new folder for the color, just to keep things organized. Color layers are normally the bulk of my layers, so putting them in their own folder allows me to close the folder to easier work on the finishing touches later. The exact number of layers you'll need will vary between pieces, depending on how many different colors you need and how much detail there is. For my Halloween card, I ended up with four layers for the flat colors, plus one for the card's background.
TIP: Plan ahead! You can use layers now to help make shading easier later. Even if two neighboring areas of your piece are going to be the same color, you still might want to put the flats on their own layers if the shadows are going to be vastly different. This allows you to not be as careful when shading!
It was at this stage that I also added in the text for my card, but it was mainly for planning purposes before I got too far along in my design. I wasn't even sure I was going to have text at this point, but I think it worked out!
For shading, I made liberal use of Clipping Masks. This is why I was very particular with the layers for my flat colors. In retrospect, I should have made a separate layer for the lower jaw flats as I was having issues keeping the shading separate from the upper part of the skull! If you don't have a lot of memory, this is a stage that may cause you issues. Instead of being able to have a bunch of layers with their clipping mask layers, you may have to work on one shading layer at a time and merge with the flats when finished with that layer. As I mentioned earlier, having many layers can make Photoshop take up a lot more of your computer's memory than it should.
Preparing for Printing
If you used the template from moo.com, you should have the correct settings for their needs. If not, or if you are using a different printing company, be sure to check their website for the settings you need. You should always check to see what a company needs first because things like color mode, resolution, and image size can all cause problems in the end if you didn't use the correct ones while drawing. For example, some companies require RGB and some require CMYK, and it is impossible to change these settings in the end without losing some of your original color quality!
If you have text, be sure to pay special attention to how they want the settings for those! Due to how my textures went over my text, I simply flattened my image and submitted it as if it were a photograph.
The Final Product!
This is the final product that I sent out this year to anyone who signed up! I couldn't be happier with how they turned out. The printed version looks exactly like my original drawing (even if my own photo washed out the colors a bit). I love doing these every year as a thank you for supporting my art throughout the year, so if you missed this year's, be sure to keep an eye out next year to get one for free.
I also have this year's edition available for sale for $5 each at my online shop. They're a numbered limited edition of 50 so don't miss out! They're professionally printed on high quality paper stock and come with brown kraft paper envelopes so you can mail them to anyone you would like! Inside is a fun Halloween poem about witches and good luck.
An early round-up this week! I'll have a real blog post tomorrow, so be sure to follow me so you don't miss it!
Here and here are links to the last two round-ups!
I tried something new at the start of this week: greyscale shading! I figured this would be similar to working in inks, but honestly I just wanted to give them a bit more depth! Later in the week was prep for Fangcon, so I had some doodles and commission work insead! I'll include the rest of this week in next week's round up because I'll be busy at Fangcon and won't be able to post!